ВАРЕНЪЙЕ Игровая (VARENЪYE Playground)
Interactive exhibition transforming the exhibition space into a playground for adults through participatory installations, social experiments, and playable environments.
Paris-based artist working in participatory art, social sculpture, interactive installations, and public space interventions.
Ottone Radavi is a Paris-based artist whose practice focuses on participation, collective authorship, play, and social interaction.
From 2010 to 2022, he founded and led VARENЪYE Organizm, an interdisciplinary collective bringing together up to twenty-two artists, engineers, architects, musicians, programmers, and researchers. The collective developed participatory installations, public artworks, inflatable architectures, playable environments, and experimental social situations presented in museums, festivals, and public spaces across Russia, Europe, the United States, and the Middle East.
His current practice is centered on participatory art and collective reconstruction through sculptural systems, shared assembly processes, and socially engaged environments.
Interactive exhibition transforming the exhibition space into a playground for adults through participatory installations, social experiments, and playable environments.
Exhibition of speculative urban concepts, future public spaces, kinetic environments, and large-scale participatory installations developed by VARENЪYE Organizm.
Retrospective exhibition and anthology presenting key projects and artistic experiments developed by VARENЪYE Organizm between 2010 and 2018.
Interactive installation
Interactive light and sound installation
Participatory installation series
Participatory sculptural system
Participatory installation
Public sculpture
Public sculpture
Inflatable sculpture
Interactive installation
An ongoing participatory sculptural project based on modular bone-like structures produced through large-scale 3D printing.
The project explores collective reconstruction as both a physical and symbolic process. Visitors assemble fragmented skeletal elements into temporary organisms, becoming active participants in the restoration of a damaged body.
Originating from experiences of rupture, displacement, and rebuilding, the project expands toward broader questions of restoration in societies shaped by conflict, migration, fragmentation, and loss.
Through shared acts of assembly, Rebone Organism'os investigates how participation can transform restoration into a social, emotional, and collective practice.