2025-present / Participatory sculptural practice, construction game, modular system / Paris, France
Project text
Rebone organizm'os is a participatory sculptural practice, construction game, and modular system made from bones, organs, viruses, joints, and abstract body fragments. Each element is digitally sculpted, resin 3D printed, and joined through a shared spherical connector, so the work never settles into one final form. It can become a skeleton, a temporary creature, a prosthetic structure, a wearable object, or a spatial composition.
REBONE ORGANIZM'OS / MODULAR SKELETAL STRUCTURE / RESIN 3D PRINTREBONE ORGANIZM'OS / TEMPORARY ORGANISM / SPHERICAL JOINT SYSTEM
The project starts from a body that has already been taken apart. Its parts are recognizable, but they refuse anatomical obedience: pelvises become masks, bones become handles, organs become hinges, and viruses become decorative or structural agents. Rebone organizm'os treats the body as an open grammar, where injury, repair, mutation, and play can be composed with the same set of parts.
The smooth resin surfaces and repeated joints make the sculptures feel both clinical and handmade: like medical models, toys, ritual objects, and construction parts at once. The system is precise enough to hold together, but loose enough to invite mistakes. A structure can stand, collapse, lean, hang, be carried, or be rebuilt into something that no longer resembles its previous version.
Visitors are not only looking at the work; they physically negotiate it. Every assembly is a temporary agreement between hands, balance, weight, desire, and the limits of the connector. This turns authorship into a shared action: the artist provides the anatomy and the rules of attachment, while each participant tests what kind of organism can exist for a few minutes before it changes again.
REBONE ORGANIZM'OS / RESONANT JOINT / DETAILREBONE ORGANIZM'OS / BLACK MODULE FIELD / COMPONENTS
REBONE ORGANIZM'OS / SUSPENDED ASSEMBLY / MODULAR ORGANISMREBONE ORGANIZM'OS / WALL ORGANISM / SCALE VIEWREBONE ORGANIZM'OS / WHITE SKELETON / TEMPORARY ASSEMBLYREBONE ORGANIZM'OS / WHITE JOINT / DETAILREBONE ORGANIZM'OS / BLACK STRUCTURE / ASSEMBLED ORGANISMREBONE ORGANIZM'OS / PERFORATED MODULE / HAND SCALEREBONE ORGANIZM'OS / WHITE ORGANISM / DETAILREBONE ORGANIZM'OS / RED ORGAN / DETAILREBONE ORGANIZM'OS / BLACK SPINE / PEDESTAL ASSEMBLYREBONE ORGANIZM'OS / BLACK COMPONENTS / FIELD DETAILREBONE ORGANIZM'OS / HANGING STRUCTURE / PEDESTAL VIEWREBONE ORGANIZM'OS / COMPONENT FIELD / DETAILREBONE ORGANIZM'OS / BLACK ORGANISM / WALL ASSEMBLYREBONE ORGANIZM'OS / COMPONENT FIELD / BLACK MODULESREBONE ORGANIZM'OS / RED ORGAN / ASSEMBLED SYSTEMREBONE ORGANIZM'OS / BLACK MODULES / SURFACE DETAILREBONE ORGANIZM'OS / PURPLE-BLACK ORGANISM / TEMPORARY FORMREBONE ORGANIZM'OS / FLOOR ORGANISM / COLLECTIVE CONFIGURATIONREBONE ORGANIZM'OS / TEMPORARY ORGANISM / MODULAR SYSTEM
Reconstruction
Across the project, the skeleton is less a symbol of death than a building site. Rebone organizm'os uses the language of bones to think about bodies after rupture: migration, displacement, memory, and identity appear here as things that must be constantly reattached. Nothing is restored to an original state. Instead, the work proposes reconstruction as a living, unstable, and collective condition.
REBONE ORGANIZM'OS / PARTICIPATORY ASSEMBLY / RED ORGANISMREBONE ORGANIZM'OS / BLACK BONES / RED JOINT SYSTEM
Temporary organism
The assembled figures often hover between tenderness and threat. Red organs sit inside black limbs, translucent parts behave like fragile membranes, and purple elements shift between infection, ornament, and growth. The forms are not monsters in a closed narrative. They are provisional organisms, bodies rehearsing how to survive being incomplete.
REBONE ORGANIZM'OS / BLACK-WHITE ORGANISM / TEMPORARY ASSEMBLYREBONE ORGANIZM'OS / WHITE SKELETON / RED ORGANREBONE ORGANIZM'OS / PURPLE PELVIS / DETAILREBONE ORGANIZM'OS / BLACK-PURPLE ORGANISM / PEDESTAL VIEWREBONE ORGANIZM'OS / PARTICIPATORY ASSEMBLY / GALLERY VIEWREBONE ORGANIZM'OS / WHITE SKELETON / ORGAN DETAILREBONE ORGANIZM'OS / TRANSLUCENT ORGAN / RED DETAILREBONE ORGANIZM'OS / WHITE MODULES / COMPONENTSREBONE ORGANIZM'OS / TRANSLUCENT BODY / BLACK MODULESREBONE ORGANIZM'OS / WHITE JOINTS / DETAILREBONE ORGANIZM'OS / PURPLE-WHITE ORGANISM / VERTICAL FORMREBONE ORGANIZM'OS / BLACK COMPONENT FIELD / FLOOR VIEWREBONE ORGANIZM'OS / COLLECTIVE ASSEMBLY / GALLERY VIEWREBONE ORGANIZM'OS / PURPLE VIRUS-LIKE ELEMENTS / DETAILREBONE ORGANIZM'OS / RED ORGAN / BLACK BONESREBONE ORGANIZM'OS / HAND SCALE / PURPLE MODULESREBONE ORGANIZM'OS / PURPLE-WHITE STRUCTURE / DETAILREBONE ORGANIZM'OS / RED JOINTS / LOW ANGLEREBONE ORGANIZM'OS / BLACK BONES / SURFACE DETAILREBONE ORGANIZM'OS / BLACK-TRANSLUCENT ORGANISM / PEDESTAL VIEW
Because the project is modular, it also remains unfinished by design. Each exhibition, workshop, or encounter can add another configuration to the archive without closing the work. Rebone organizm'os is not one sculpture multiplied into variants, but a living vocabulary for bodies that are assembled in public, disassembled without loss, and returned to circulation.
REBONE ORGANIZM'OS / HAND SCALE / CIRCULAR STRUCTUREREBONE ORGANIZM'OS / WHITE MODULES / COMPONENT PAIRREBONE ORGANIZM'OS / SPINE STRUCTURE / HAND SCALEREBONE ORGANIZM'OS / PURPLE-WHITE ORGANISM / PEDESTAL VIEWREBONE ORGANIZM'OS / BLACK-RED HANGING STRUCTURE / DETAILREBONE ORGANIZM'OS / BLACK-TRANSLUCENT JOINTS / DETAILREBONE ORGANIZM'OS / BLACK-PURPLE ORGANISM / EXTENDED FORMREBONE ORGANIZM'OS / RED ORGAN / ASSEMBLED BODYREBONE ORGANIZM'OS / PURPLE GROWTH / DETAILREBONE ORGANIZM'OS / WHITE SKELETON / RED ORGAN DETAILREBONE ORGANIZM'OS / PELVIS PAIR / COLOR SYSTEMREBONE ORGANIZM'OS / BLACK-WHITE ORGANISM / STANDING STRUCTURE